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  • Matter and Form

    Matter and Form

    11 April - 23 May 2025
    Matter and Form considers the enduring relationship between material and structure, drawing from the philosophical concept that matter is the substance from which things are made, while form gives them structure and meaning. The artists in this exhibition engage with materiality as both a physical and conceptual foundation, pushing the boundaries of process and composition. Working across felt, clay, bronze, shaped canvases, and sculptural frames, they explore how the inherent properties of a material inform its final expression, challenging traditional distinctions between painting and sculpture.
    By embracing unconventional formats and experimental techniques, these artists demonstrate how material choices dictate form, while form, in turn, reshapes our perception of material. The works in Matter and Form foreground the tactile and spatial dimensions of art, encouraging deeper engagement with surface, structure, and presence. Through this dialogue, the exhibition reflects Main Projects’ commitment to fostering rigorous artistic exploration and expanding the possibilities of contemporary practice.
    Participating artists include Thomas Barger, Chris Bogia, Lakela Brown, Ben Cowan, Corydon Cowansage, Carl D'Alvia, Francesca DiMattio, Nick Doyle, Ben Durham, Elise Ferguson, Al Freeman, Christina Forrer, Hilliary Gabryel, True Harrigan, Jessie Henson, Stephanie Temma Hier, Ficus Interfaith, Colin Knight, Elise LaFontaine, Paul Latislaw, Kevin Lowenthal, Diana Sofia Lozano, Nicole Nadeau, Vincent Pocsik, and Maureen St Vincent.
  • Amy Lincoln: Monoprints

    Amy Lincoln: Monoprints

    11 April - 23 May 2025
    A showcase of Lincoln's series of unique monoprints, created in collaboration with Main Projects. Blending screenprinting and relief printing, these works highlight the physical, hands-on nature of printmaking—an art form that demands both technical precision and creative experimentation. Each monoprint is one-of-a-kind, distinguished by striking variations in color, layering, and tone. Through this process, Lincoln expands her exploration of light, atmosphere, and surface while pushing the boundaries of traditional print techniques.